Sunday, April 25, 2010

Ninotchka (1939) - "Garbo Laughs!" was the tag line.



Ninotchka - Greta Garbo

Leon - Melvyn Douglas

Grand Duchess Swana - Ina Claire

Razinin - Bela Lugosi

Iranoff - Sig Ruman

Buljanoff - Felix Bressart

Kupolski - Alexander Granach



Famous for her statement "I want to be alone!" Greta Garbo's wish was granted when she ended up alone for the final portion of her life. While living not far from her in NYC in the early 90's I often wondered about her. What was the genesis of her reclusiveness? Was it fear? How often does fear and insecurity drive us to lifestyles that we otherwise would not have chosen. Then there is the vicious circle of fear that leads to reclusiveness that leads to more fear that leads to more reclusiveness and on the circle goes. We look from the outside thinking that celebrities are on top of the world and have it all only to forget that they are just as human and frail as we are ourselves. We hold them up as special and/or superior only to be dismayed when they prove themselves to be just as normal as we are.


Greta Garbo was always known for playing tragic women. Anna Karenina, Marguerite in "Camille," Mata Hari, Anna Christie, Grusinskaya in "Grand Hotel." Women in desperate situations in which she dramatically plows through. Women whom we admire for their strength yet cry with as we view the circumstances that life has dealt them.


Ninotchka, is NOT another of those roles. This was, in fact, Garbo's first and only comedy. The joviality of her acting is so natural that it's hard to remember her previous roles. Unfortunately, her next movie BOMBED terribly so she bought out he own contract and made no more.


The time setting of the movie is the mid to late 1930's primarily in Paris. Three bolshevik delegates have been sent from Moscow with the People's Crown Jewels to negotiate a sale in order to obtain precious money to buy food for their hungry people.


Immediately they begin to compromise. "Gentlemen, we have a safe that meets the requirements of your case but I don't think it meets your convictions." Quickly they are confronted with the overwhelming contrast between their surroundings and their homeland. Being the humans that they are, they quickly become accustomed to the excesses of Parisienne high life.


When they meet with the jeweler for negotiations, his offer is not to their expectations. He tells them that he is actually taking a loss by purchasing them which leads them to their first comment about capitalism: "Capitalistic methods...they accumulate millions by taking loss after loss."


Unbeknownst to them, the exiled Grand Duchess Swana of Russia (to whom the jewels originally belonged) is a resident in the same hotel where they have decided to conduct the business of the Russian people. When she learns of their presence, she has her courtesan Leon deliver legal papers to stop all transactions (her lawyer won't because France is one of the countries that recognizes the Soviet Union which means the French courts will most likely rule against her). Running into snags is not a problem for the delegates, there are so many wonderful, fun distractions to occupy their time and Leon makes sure they begin enjoying them to the fullest right away.


Reports getting back to Moscow are not promising. The progress (rather lack thereof) of the transaction is not pleasing to the authorities. Enter Ninotchka, a loyal Soviet servant. Her diligent work earns her the privilege of a trip to the Paris to take care of matters.


Upon arrival she is continually disgusted not only with the excesses but with what she sees as inequality. Inequality that she believes socialism corrects. She is equally disappointed with the three delegates that have preceded her; how shamefully they have behaved while they have accomplished nothing. Ninotchka: "How much does this room cost?" Gentlemen commrades: "2,000 francs." N: "A week?" GC: "A day." N: "Comrades, do you know how much a cow costs? A cow costs 2,000 francs. If I stay here a week, I will cost the Russian people seven cows!"


Ninotchka immediately gets to work setting up a meeting with the interested parties to sell the jewels. In the meantime, she has decided explore the city determined to investigate the "public utilities and outstanding achievements." Her first encounter is with Leon; neither one knowing whom the other really is. He is charmed by her refreshing, no nonsense attitude. Leon: "I have been fascinated by your five year plan for the last fifteen years?" When she asks about the Eiffel Tower, he is unable to answer her questions so, he does what every suave man would do (at least to Hollywood writers), he follows her to the attraction. A determined man, he has purchased a guide book and has begun reading to her the facts about the tower. "there are 864 stairs but an elevator is included in the price of admission." Elevator or no, being the strong Russian woman that she is, she takes the stairs while he choose the elevator "included in the price of admission."


A bit annoyed at him, Ninotchka begins to realize her great fortune in having the perfect specimen for her to examine so she goes back to his apartment with him where there true identities are exposed. Leon: "Would you like something to eat?" Ninotchka's reply: "I've had all of my required calories today." She continues..."You are something we do not have in Russia. That is why I believe in the future of my country." "The whites of your eyes are clear. Your cornea are excellent." "Chemically we are already quite sympathetic." "Don't pity me, pity the Polish lancer, after all, I'm still alive."


With grace and fun, Garbo transforms her character from robotic to human and all the way to feminine. As the movie progresses she shows signs of weakening toward the things that capitalism has to offer. Is it the city? "I always felt so sad when the swallows deserted us for capitalistic countries. Now I understand why. We have the high ideals but they have the climate." Is it the Hotel? Is it Leon? "From what I've read, champagne is a strong drink. Does anyone ever get drunk from it?" No matter what the cause, she is falling in love.


Now, the real issue is that the Duchess wants Leon and wants Ninotchka to go home. After a night of too much partying, Ninotchka has been careless with her charge leaving the safe open for a hotel worker to return them to his Duchess who is now happy to return the jewels to the Russia, on one condition...Ninotchka leaves and sees Leon no more.


Though heart wrenching, she is able to make the selfless decision. Ninotchka is use to sacrifice. After all, she is from the Soviet Union where EVERYTHING is rationed. She lives in one large room with two other women, each with her section. In order to have a party, she and the three delegates ration their daily egg in order to have an omelette. Their party is spent reminiscing on the days spent in Paris which only further saddens them as they look around their meagre surroundings that it seems that they are forever to live in. No matter, their allegiance is to Russia.


Well, that is until the same three delegates are sent on a mission to Constantinople. An anonymous report comes back to Moscow saying "...they throw a carpet out of the window and complained to the management that it didn't fly!" Despite her protests, Razinin insists that she go "straighten" them out.


A fun, light hearted movie. It is pleasant to see and hear Garbo laugh. Could it be that only Ernst Lubitsch was able to draw the laughter from her? Would this movie change her life and the directoin of her future movies? How sad that we will never know since she withdrew from society to her Manhattan home not to be seen on the screen again.


And oh the quips! Too many to recount here. This movie is another must see!

Friday, April 16, 2010

Wee Willie Winkie (1937)









Priscilla 'Winkie' Williams - Shirley Temple
Sgt. Donald MacDuff - Victor McLaglen
Col. Williams - C. Aubrey Smith
Joyce Williams - June Lang
Lt. 'Coppy' Brandes - Michael Whalen
Khoda Khan - Cesar Romero

The title character as written by Rudyard Kipling, "Wee Willie Winkie" (Percivel Williams), was a boy. However, the studio was looking for a vehicle for their 'money honey' Shirley Temple at that time. One that would draw more adults (read more money) into the theaters. Enter, Priscilla Williams. The story is further tweaked to accommodate a young girl; rather than a young boy who attempts swashbuckling, we have a sweet, innocent girl who manages to endear herself to the hardest of hearts.

The setting is 1890's India. Having left home in America, widow Joyce Williams (Lang) and her daughter Priscilla (Temple) are travelling to northeast India to live with her father-in-law (Smith) at the British outpost. This was a time when if not taken in by family, widows struggled desperately and the Williams' situation was no different. Joyce believed that it was an answer to prayer when the Colonel wrote inviting them to come live with him. Financially, difficulties in life were indeed alleviated. Priscilla: "Will we live right in Grandfather's house?" Mother: "Of course." Priscilla: "Then we won't have to worry about the butcher or the grocer man?" Mother: "No, darling." Priscilla: (deep sigh) "Too bad we didn't get acquainted with Grandfather sooner!"

It seems though, that they exchanged their financial struggles with the stark, impersonal life found in the military. The Colonel is a career officer which never has left much time for family causing estrangement from his. Career militarists as well as missionaries often left their families in England while serving God and country in lands far away, a concept difficult to fathom in our day of instant communication. Even without the immediacy of communication, the distance lead to very difficult relationships. However, the phrase "buck up" comes to mind when considering this choice of lifestyle. Some accepted the distance as naturally as we accept our nearness. As an example, during his decades of ministry in China, Africa and India, missionary C.T. Studd was supported by his wife at home. Not only did she raise their family on her own, she also promoted and raised funds for his ministry.

Priscilla and her mother arrived at the train station in the middle of another Afghan incident. Khoda Khan (Romero) and his men were attempting to smuggle rifles out of the village. The efficient alertness of the British meant that Khan, the leader is quickly arrested and escorted off to incarceration at the military fort. Excitement that draws young Priscilla into the action. Khan takes note of her kindness and is left in wonderment at the young girl.

The fort is filled mostly with focused military men leading to a life of loneliness for both Priscilla and her mother. However, in true Shirley style, she walks about the fort trying to make friends with everyone. From the beginning, her Grandfather doesn't really know what to do with her since she's not at all like the military men that he is accustomed to. Both he and his daughter-in-law have much to learn from each other. Obviously he could learn to balance career with family but she must learn the lesson of duty and responsibility beyond herself.

The enlisted men are endeared to her but who's heart does she melt? Sgt. MacDuff (McLaglen). Big, gruff, barrel-chested, pugilist, MacDuff. He renames her Wee Willie Winkie and enlists her as a soldier in the Queens military. Outfitted with her own uniform she joins the troops for daily drills, MacDuff-carved little wooden rifle and all. The interaction between her and Sgt. MacDuff is quite moving as their friendship grows each day. Also that same precociousness begins to chip away at the stoniness of her grandfather's façade. inevitably, everyone comes under her irresistible spell to be changed forever.

As usual, Shirley has a heart of gold. She sees the good in everyone and cannot imagine evil in anyone. Because of this, she goes to visit her 'friend' Khoda Khan while in jail. Unbeknownst to her, she is aiding and abetting his rebellion. The Kashmir Pass is still disputed land between Afghan and Pakistan, a story that we see/hear reported on even today. However, in true Hollywood form, the diplomacy of a young girl solves the problems of the ages. Not only between the sparring tribes but also between those same tribes and the British government that is located there to bring peace.

This movie has it all, war, romance, spies, intrigue, and cultural information; a film for all. Most were not aware of Afghanistan and the Kashmir Pass not to mention the warring of the ages. How romantic it all seemed in the land far away from the great depression. Shirley Temple's movies were made during a time that this country needed distractions. In the year 1937 came a second dip, the depression within the depression. Despair was rampant. So many felt they were coming to the end of it all. How much longer could they hang on? Each of her films provided the upbeat message, all works out in the end, that everyone longed for.

Remember that the song of the period was "Happy Days Are Here Again!" despite the fact that happy days were not here again. It wasn't until World War II (1941/42) that our country began to pull out of the depression. Shirley Temple's movies were usually the same formula. Young girl facing difficult circumstances in life overcoming them all. The message? Our country will overcome, which it did famously.